On the Backs of Blacks and Sorrowful Black Death Is Not a Hot Ticket :: Sorrowful Black Death Is Not a Hot Ticket Essays

On the Backs of Blacks and unhappy Black Death Is non a Hot Ticket In both Toni Morrisons On the backs of blacks and bell hooks Sorrowful Black Death Is Not a Hot Ticket the authors attempt to analyze the role and sermon of blacks in motion pictures. Morrisons essay deals with what she calls race talk, and defines as the decl ared insertion into everyday life of racial signs and symbols that have no implication other than pressing Afri domiciliate Americans to the lowest level racial power structure (Morrison, 1993). Hooks essay similarly analyses the issue of finale for blacks in movies to which she concludes that there can be no serious representation of death and dying when the characters are African-Americans. (hooks) In both these essays there are huge errors made in their thinking, and their analyzation. Hooks, in her opening paragraphs attempts to compare the portrayal of black vs. white death in films. In her comparison she blows all future credibility w ith searing readers by using examples that obviously dont have any baring on the point she is trying to make. The example she gives for a white death is that of gobbler Hanks character in Philadelphia, a homosexual lawyer with AIDS who had interpreted his firm to court because of their bad treatment towards him because of his disease. For this case she points out that steady before tickets are brought and seats are taken, everyone knows that tears are in order. (hooks) Hooks then goes on to explain that There is no grief, no remembrance for the deaths of blacks. She uses the film The bodyguard for her example of black death, citing the scene where the sis of Rachel Marron (Whitney Houston) is accidentally assassinated by the killer she has hired to kill her take in sister (Hooks). These two examples have nothing in common. The character in Philadelphia deserved sympathy when he died because he was treated unfairly for a condition he had no control of. The character in The date neither deserved nor received recognition for one reason. It had nothing to do with her blackness, that was a non-issue, it was because she was a murderer who in an ironic twist was slay by the assassin she had hired.